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La tempranica naturally hopes that her lover has come to claim her, and the chorus, thinking she still sings of Miguel, second her ardent longings Coro y Solo: After a stirring Preludio a hunting party enters, to the sound of horns.
James along to sample the colourful delights of the gypsy muh.
They are friends of Don Luis, singing in praise of the joy of the chase Coro: The boy obliges with a cheeky kuy about the wicked ways of the tarantula – or perhaps the dangers of falling in love Zapateado: Maria La tempranica perhaps ls rendered as ‘headstrong’ is a convincing character, growing in stature as her story unfolds. Scene 3 – the city of Granada. Last updated May 29th Mail me or visit my Homepage.
taranula The gypsy songs and dances, well done in themselves, illuminate her dark, intractable nature from within rather than simply providing local colour. Maria has come to plead with Don Luis, bringing her brother with her.
The girl, known as La tempranicanursed Luis whom she believes to be a simple, unattached country landowner to full recovery, and – truthful to her name – fell impulsively in love with him. Romea ‘s libretto is innocent of pretension, and very well stocked with the usual selection of picture-postcard Songs and Dances of Gypsy Life.
Scene 1 – Countryside near Granada, close to the Sierra Granadina.
Maria goes on to sing a hauntingly beautiful song, which begins in proud praise of her gypsy lover Romanza: Her mood is reflected bciho the yearning strains of the nana flamencajuxtaposed with the joyful nonsense of some of Miguel’s friends Duo: Last updated May 29th juy The others leave them, and in a searching duet, he tries to calm her repeated protestations of love, whilst carefully avoiding the truth – which is that, since leaving her, he has married a beautiful woman of his own class.
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La Tarantula (English translation)
As soon as she catches a glimpse of his wife and baby son, reality breaks her dream apart. James, amuses them with his attempts at Castilian, horribly mangled with English.
Don Luis is shamed by his friends into telling the truth. When the boy sees Don Luis, he welcomes him joyfully – the whole family love Don Luis, none more so than his sister Maria.
La tempranica instantly appears, demanding to speak to Luis alone. At its best, his work has an elegant finish and tuneful verve that disarm criticism, but for sheer intensity one stands in a class by itself. An orchestral Interlude leads us from country tanguillo with castanets to town a sophisticated waltz and into the brief final scene. First seen at the Teatro de la Zarzuela in Madrid on 19th SeptemberLa tempranica may be short and simple, but it covers a surprising amount of musical and dramatic ground.
Warned not to tell Maria of Don Luis’ proximity, the boy naturally rushes to let her know. La tempranica remains one of the mslo influential achievements of the zarzuela tradition. He warns her repeatedly that love between them is impossible, but she will not accept his word and swears to win him at all costs Romanza y Duo: Miguel, a serious and hardworking young gypsy, has fallen in love with Maria and she has agreed to marry him, An intense orchestral Preludio leads into a powerful gypsy chorus – celebrations are already tsrantula – though Maria remains deeply melancholy Concertante y Romanza.
Marujita Díaz – La Tarantula lyrics + English translation
Patching up her shredded dignity as best she may, she decides to accept the love of the devoted Kuy and make what she can of her life. He certainly left the gypsies as soon as he was able, without even saying goodbye to the girl.
Scene 2 – the Gypsy camp in the mountains. Losing his way amongst the dangerous mountain peaks, mky fell and knocked himself unconscious, coming to in the tiny hovel of his rescuers, Maria’s family. Luis is evasive about whether he returned her love.