JAMES TENNEY META HODOS PDF

Meta + Hodos and META Meta + Hodos. James Tenney. Frog Peak Music Amazon PDF · Home. Composer James Tenney’s Meta+Hodos was an early formulation of what he described as a “conceptual framework for musical description and. PRAXIS META†HODOS: THREE LOVE SONGS FOR JAMES TENNEY. Thesis. Submitted in partial fulfillment of the requirements for the. Degree of. Master of.

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Benjamin Boretz – – Open Space. Goodreads helps you keep track of books you want to read. Customers who viewed this item also viewed. A particularly intense passage will be perceived as the focus or initiation of a clang, thus providing a means of delimiting the clang as a unit. Thus by definition the clang as an analytical tool accommodates itself easily to compositions made primarily or even exclusively of sound material that falls outside of traditional musical categories.

Book Reviews Book Review Panel: The clang thus provides for cases where a musical unit will be shaped not by pitch or harmony alone or even predominantly, but by any of these other factors instead.

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Meta + Hodos and META Meta + Hodos

Get fast, jmaes shipping with Amazon Prime. Structural Functions of Harmony Revised Edition. Richard Valitutto rated it it was amazing Nov 17, View all 3 comments. Cone – – W. Roberto marked it as to-read Jun 17, May 09, Cole Blouin added it.

Percorsi Musicali: Fifty Years After the Way: James Tenney’s Meta+Hodos

Musical Form and Musical Performance. Nor is it meant to. While radical, these latter works are still essentially based on relationships of pitch and harmony; by contrast, much contemporary experimental music is music of hodps and texture, of unpitched sounds and silence.

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James Tenney — Meta + Hodos

D marked it as to-read May 25, Alan is currently reading it Sep 03, Manolo rated it really liked it Aug 10, Devin rated it really liked it Aug 17, Philosophy of Music in Aesthetics. Antonio Todisco marked it as to-read May 01, Nick Calligeros marked it as to-read Oct 11, Wolfgang Marx – For example, Wertheimer [I] illustrated the factors of proximity and similarity using letter diagrams such as the ones below; these diagrams can be interpreted as rudimentary musical scores if one considers each letter to represent a discrete sound, with the horizontal placement of letters indicating the placement of sounds in time and with different letters indicating different sound-qualities e.

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