Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.
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From Wikipedia, the free encyclopedia. Note that a few countries have copyright terms longer than 70 years: This is because the hairs on a longer bow would be less stretched, allowing one to draw the bow with less pressure on the strings while playing a chord.
Ganassi’s Regola Rubertina is among the earliest sources of advice to the viol player on how to hold the bow. Mexico has years, Jamaica has 95 years, Colombia has fojtegara years, and Guatemala and Samoa have 75 years.
Silvestro Ganassi dal Fontego
Opera Intitulata Fontegara
Views Read Edit View history. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. English translation based on German edition published in Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontegoand Silvestro dal Fontego 1 January —  was a Venetian musician and author of two important treatises on instrumental technique.
Men in art Silvestro Ganassi dal Fontego. This page was last edited on 26 Aprilat Please obey the copyright laws of your country.
His treatises are now available in modern editions.
Silvestro Ganassi dal Fontego – Wikipedia
Public domain Public domain false false. Treatise on playing the recorder and ornamentation, published in Venice Methods ; Performance practice ; Writings ; Divisions ; For recorder ; Scores featuring the recorder ; For 1 player ; Italian language. Views View Edit History. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less.
Summary [ edit ] Description Ganassi fontegara. Work Title Opera intitulata Fontegara Alt ernative. Retrieved from ” https: From Wikimedia Commons, the free media repository. In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:.
Contents 1 Performances 2 Sheet Music 2. His second in two volumes is about the viola da gamba: They cover both technicalities of playing and the subtleties of expression. Then you could use the fingers to stretch the fontegqra when playing fewer strings or a single string. I can say that if you wished to play a piece which is in four or five parts while singing the fifth, you would need to use a longer bow than is customarily used. Editor Hildemarie Peter