Francisco Colasanto is on Facebook. Join Facebook to connect with Francisco Colasanto and others you may know. Facebook gives people the power to share. Giga-Hertz Award & Walter Fink Prize. Award Ceremony. Projects. Red plaque with “Giga-Hertz-Award” in white letters · Giga-Hertz Award. Francisco Colasanto. Buenos Aires (Argentina), Composer. Francisco Colasanto. Complete List of WorksComplete List of Albums.
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I’ve already begun to write it. At that time I was working in a small electroacoustic music laboratory in Buenos Aires. Artists working with Max are able to present their job there as well as at “Visiones sonoras”, our international music and new technologies festival that takes place every year in November.
To do this, each new object comes with a sample patch using only the studied object and the objects that had been reviewed at the moment, so the student is able to confirm several times how these objects work in different situations.
As far as I know, there is no any other version in Spanish. An Interview with Francisco Colasanto — Cycling Cycling ’74 will be closed on Dec 25th, 26th, and Jan 1st. We can also include Brazil, as Brazilian Portuguese is close to Spanish, and many people will be able to read the book there.
Try Max free for 30 days. I’ve dictated franvisco Max courses in Argentina, and all of them were franciwco very crowded. Nov 27 4: I love exploring the interaction between acoustic instruments and electronics.
We’ve seen some really phenomenal technology-based work and New Media institutions popping up in Latin America in recent years, but North Americans are largely unaware of these developments.
An Interview with Francisco Colasanto
Yours is the first Spanish language Max book that I’ve seen. In this interview, we get a chance to catch up with Francisco and learn more about his in-depth book as well as his work at CMMAS in Mexico and elsewhere.
There are many artists currently working with interactive techniques and many others interested in getting started. We’ve linked to you on BlogInterviewer. Did you feel in writing this that there was a strong demand for such a text? In Patagonia, in fact, a multimedia course was founded at Rio Negro University, and they want to use my book as an important part of their literature. Did you feel that it was important to provide a solid foundation of message-based patching before delving into signal-processing?
Of course I used the tutorials in English. Manual authorization, support cases, and manual order processing will be delayed. Buy Max 8 Now. Where are you from? Although my book about Max took almost 3 years of my life, I’m composing music for mixed media when I’m not writing. Are you planning to write other books on Max? I also wanted to provide some literature on the subject that could be used by Max teachers in Latin America.
That’s why Max is always present in our activities. However, there is also not enough literature into English.
You can expect a very detailed and step-by-step guide to get introduced in Max programming. The methodology I used was to build knowledge as a pyramid, reviewing past concepts as frncisco ones are introduced, so knowledge is enlarged and solidified. Do you see a lot of Max usage in Spanish-speaking countries?
Francieco can remember myself spending many hours a day studying Max, and I did so for 5 years of my life. Sep 27 8: Published September 28, There was no Max literature into Spanish, and in fact I think my book is actually the first Spanish book on this topic.
Is there anyone using Max in really wonderful ways or vrancisco who deserve more attention? But this kind of phrases teaches us the structure of a language and how to build it. How would you describe the teaching methodology used here?
You focus a large portion of the book on Max objects and MIDI, leaving sound processing for the later chapters. In my opinion, there’s a strong demand in Latin America. What can someone expect to learn from reading this book? There are a lot of enthusiastic people in Argentina working in many of the universities in Buenos Aires, Cordoba, Santa Fe, and several others.
I studied Csound a lot, and when I found Max it was like a revelation. In your perspective, where is the most exciting stuff happening right now in the Spanish-speaking world?
Learn about our user conference Expo ’74 Coming in April My intention was always to write a book that could be used by anyone franciscco to get started with this, so the first chapter introduces the first concepts of Max and its interface.
Francisco COLASANTO (Mexico) – MUSICACOUSTICA-BEIJING
I started working with Max in Colasxnto in to reply. There are also many people doing things in Spain, of course. The same happens in Mexico, we currently organize regular courses at CMMAS, and there are always many people interested in them.