This piece of music, from Bach’s St Matthew Passion, describes Peter’s lament after having denied knowing Jesus three times. The text is adapted from the. Erbarme dich, mein Gott (“Have mercy Lord, My God, for the sake of my tears”) the meltingly beautiful alto aria from Bach’s St. Matthew Passion, portrays Peter’s . Bach, Johann Sebastian Erbarme dich from Matthew Passion sheet music Bach wrote hundreds of pieces for organ, choir, as well as many other instruments.

Author: Kagalmaran Tocage
Country: Bermuda
Language: English (Spanish)
Genre: Marketing
Published (Last): 26 October 2005
Pages: 477
PDF File Size: 11.22 Mb
ePub File Size: 9.17 Mb
ISBN: 375-9-70460-638-5
Downloads: 91701
Price: Free* [*Free Regsitration Required]
Uploader: Gardagami

Zelter was reluctant but eventually gave his approval; that of the Singakademie board followed. Jesus is often referred to as “my Jesus”.

Bach – Erbarme dich from Matthew Passion sheet music for Voice –

The request was only partially granted by the Town Council, [7] so possibly at least some of the Passion presentations in St. Two distinctive aspects of Bach’s setting spring from his other church endeavors. Notable staged performances include Jonathan Miller ‘s production in English.

Creative Commons Attribution-NonCommercial 4. Bach used the hymns in different ways, most are four-part setting, two as the cantus firmus of the two chorale fantasias framing Part I, gottt as a commenting element in a tenor recitative.

Devrient was especially enthusiastic, hoping to sing the part of Jesus as he eventually did. Arranger Philipp Roth — Zelter had a supply of J. Recitative with Chorus II: Arranger Salomon Jadassohn Evangelist List of compositions by Johann Sebastian Bach. Many of them include the listener into the action, such as the chorale No.


Editor Edward Elgar Ivor Atkins The Barber of Seville by Rossini. The St Matthew Passion is set for two choirs and two orchestras. I have my doubts.

St Matthew Passion discography. Bernstein’s lecture on Bach was also published in Passion for Puccini’s Tosca. More from the web.

Editor Frieder Rempp In the evening No. Page size is In a dramatic highpoint of the Passion, [16] [17] the chorus No. View at Internet archive.

Oratorische Werke Erbzrme 5: Albert, Duke of Prussia. Following the concept of Anselm of Canterburythe crucifixion is the endpoint and the source of redemption ; the emphasis is on the suffering of Jesus. Tristan and Isolde by Richard Wagner.

Bach’s “Erbarme dich, mein Gott” – The Listeners’ Club

Befiehl du deine Wege. In other projects Wikimedia Commons. The chorale melodies and their texts would have been known to those attending the services in the St Thomas church. When the cantus firmus has died out, Chorus I and II return to the first three lines of the text, from measure 82 until the conclusion of the chorus in measure The bass aria No. At the time only men sang in church: Christian Friedrich Henrici —as Picander.

Masses, magnificat, passions and oratorios by Johann Sebastian Bach. Am I the one going to betray? Accessibility links Skip to article Skip to navigation. Wie wunderbarlich ist doch diese Strafe! Arranger Robert Schaab But the crowd, given the choice to have Jesus released or Barabbasa thief, insurrectionist and murderer, asks with one voice “Barrabam!


Performers Bert Alink, guitar. At the garden of Gethsemane No. Thomas until about In Pictures – the story of love and romance: Javascript is required for this feature. The St Matthew Passion is not an opera but it does have opera-like aspects such as music, mdin, singing and drama.

Bach’s “Erbarme dich, mein Gott”

Wikimedia Commons has media related to St. Mendelssohn’s revival brought the music of Bach, particularly the large-scale works, to public and scholarly attention although the St John Passion had been rehearsed by the Singakademie in Appreciation, performance and study of Efbarme composition have persisted into the present era. Additionally, Song of Songs 6: In the turba parts, the two choruses sometimes alternate in cori spezzati style e.

William Sterndale Bennett became a founder of the Bach Society of London in with the intention of introducing Bach’s works to the English public. The work is divided into two parts to be performed before and after the sermon of the Good Efbarme service.