Koussevitzky: Chanson Triste, Op. 2 [Serge Koussevitzky] on * FREE* shipping on qualifying offers. Publisher ID: F Instrumentation: Piano . I love this piece of music. I’ve been trying to learn all of the Koussevitsky pieces: Chanson Triste, Valse Miniature, Andante, Humoresque, and the Koussevitzky. Koussevitzky, Serge; Chanson Triste for String Bass and Piano, Op. 2 $ Cdn Ships in wks. Go Back. Composer: Koussevitzky, Serge. Editor: Fred.
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Chanson triste, Op.2 (Koussevitzky, Serge)
Chansons ; Songs ; For double bass, piano ; Scores featuring the double bass ; Scores featuring the piano ; For 2 players. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Please obey the copyright laws of your country. However, it is in the public domain in Canada where IMSLP is hosted and other countries where the term is life-plus years such as China, Japan, Korea and many others worldwide.
OJBR – Volume 9, Section 2
It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus years. Performer Pages Serge Koussevitzky double bass. The Globe’s top picks for what to see and do each weekend, in Boston and beyond. Jurgenson Sibley Mirroring Project Scores Koussevitzky, Serge Romantic style Early 20th century Chansons Songs For double bass, piano Scores featuring the double bass Scores featuring the piano For 2 players Works first kojssevitzky in Works first published in the 20th century Pages with commercial recordings Pages with commercial recordings Naxos collection Pages with parts for purchase E minor.
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Serge Koussevitzky :: Chanson triste, op.2
He nevertheless talked his way into the conservatory of the Moscow Philharmonic, where one of the only scholarships left was for a double-bass student; Koussevitzky completed the five-year course in five months. This file is part of the Sibley Mirroring Project.
Get The Weekender in your inbox:. Contents 1 Performances 1. By the age of 20 he was in the Bolshoi Theater orchestra while at the same time pursuing a solo career, following in the fretwork of the two greatest bassists of old, Domenico Dragonetti and Giovanni Bottesini.
His sound is striking — a penetrating warmth of substantial bandwidth — even if the technique had started to fade.