Cesare Brandi (Siena, 8 de abril de Vignano, 19 de enero de ) fue historiador y crítico de arte, ensayista y especialista en la teoría de restauración. Its title was Teoría de la restauración, and its author bore a curious name: Cesare Brandi. 2In those days, it was one of the few books on conservation published. Results 1 – 23 of 23 Teoría de la restauración by Cesare Brandi and a great selection of similar Used, New and Collectible Books available now at.
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You must provide copyright attribution in the edit summary by providing an interlanguage link to the source of your translation. His theory gave rise to ‘trateggio,’ a controversial technique for repainting missing or damaged sections of works of art. I also tried reading the entire book, with the expectation that some interspersed, fragmentary information might allow me to understand the first chapter and then the book as a teoia. WorldCat is the world’s largest library catalog, helping you feoria library materials online.
This is by no means rstauracion minor feat; and it might well be the reason why some contemporary defendants of the Teoria may find it adaptable to every possible conservation problem, why they feel authorized to creatively determine the meaning of the fuzzy notions that abound in the text, or why they can unconsciously ignore those passages that would cast doubts on its internal coherence.
A model attribution edit summary using German: Similar Items Related Subjects: Eventually, I stopped trying. Dedicated research may help to alleviate this problem in some cases. However, if the answer was lurking somewhere else in the book, I could not find it. It may or may not be a sound intellectual construction; but, after all, does it xesare matter?
Reflections on the Roots and Perspective.
Jokilehto; italics as in the original source. However, formatting rules can vary widely between applications and fields of interest or study. Ina small book was published in Alianza Forma, a prestigious series of art books published by Editorial Alianza in Madrid. I mean, too challenging.
Historia De La Restauracion Cesare Brandi |
At one moment, Brandi states that decisions on the removal or preservation of the patina must not be based on taste or open to a variety of opinions:. In the case of the purenot existential, realityof the work of art, every part reflects, brsndi even ispotentially, the whole work of art. This page was last edited on 18 Novemberat The reader is faced with something akin to an unsolvable puzzle, one that can only be worked out by discarding the pieces that do not fit and distorting other ones by forcefully pushing them into place.
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“Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro
However, some readers might also perceive what could be described as a lack of philosophical homogeneity. Delgado RodriguesJ. Reviews User-contributed reviews Add a review and share your thoughts with other readers. And yet, I was ultimately aware that I was fooling myself: You may have already requested this item.
Please enter the message. The istanza storica which can be roughly identified with the historical value of the artwork can take precedence too, as it is the conservator, or the conservation decision-maker, who needs to make a value judgement about the prevalence of one istanza over another:.
How can those few pages of obscure, contradictory prose be so appreciated and influential?
These terms are not common wisdom in aesthetics or in other branches of brandu. These prerequisites are not a rare occurrence in academic texts, where the author may assume that the reader has some degree of knowledge of the topic his or her text deals with.
Jokilehto; italics as in the original text.
You may send this item to up to five recipients. The Journal of Aesthetics and Art Criticism35 2: If possible, verify the text with references provided in the foreign-language article.